Someone recently recommended the novel Women Talking by Canadian author Miriam Toews. The film adaptation is out now in theaters but I think I’ll wait until I finish the book. It sounded so interesting I ordered a copy on Amazon. Of course, I wanted to share it with you as well. This one seems like a mix of a feminist tale and psychological fiction based on real occurrences of sexual violence that took place between 2005 and 2009. While this is a sensitive topic, a book like this begs for discussion about these strong women who survived of a great deal of pain and trauma.
Is this a book you would read? Have you already read it? Let’s start a conversation in the comments below.
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Back when I was in high school and college, I read a few of William Faulkner’s books and short stories. Most of us have at some point read or heard of “A Rose for Emily” or come across some of his other frequently anthologized stories. I still remember his novel, As I Lay Dying (the first one I read). My first impressions were: I’ve never read a book like this. What an incredible story, and what a unique way to tell it.
The southern gothic narrative unfolds through the eyes of 15 different characters, some of whom are related to Addie, the mother of the Bundren family. Early on, she passes away, and much of the story is about the journey to bury her in Jefferson, Mississippi. Selfish motives or not, the characters continue on their trip as we learn about the current situation through many perspectives.
Last week I was challenged in a fiction writing class to mimic an author I admire, and I chose Faulkner. Although he is a difficult author to imitate, I admire him for his experimental side and originality. Faulkner is known for his slow, lengthy descriptions of characters and objects. His sentences are often complex and quite different from Hemingway’s sparse style (a near complete opposite). Faulkner’s writing is a slow burn, and I tried to emulate that with the description below. The characters and situation were drawn from my novel in progress.
It was a Friday evening in mid-June when Hayley walked down the old Brooklyn Street. It was perhaps a strange time of day to be heading to a job interview, but she agreed last week to meet Mrs. Ryan to discuss the proposed tutoring position. She had assumed, at first, the house belonged to her but learned toward the end of their last conversation that it was owned by her parents. Since the death of Mr. Ryan, Mrs. Ryan and her daughter Julia have been living here, and it was explained that if hired, this is where Hayley would tutor Julia over the summer.
1720 Ridge Road was a large, fairy-tale-like cottage made of uncut stones of different colors and sizes; somewhat pieced together haphazardly like a jigsaw puzzle, situated on what was considered by locals as one of the quietest streets by the Narrows Bay. Although the house was similar in style to a cottage, it was anything but small. Across the front of the house, there was a long row of double-hung windows with brown shutters facing the vast lawn.
A grand, wrought-iron gate surrounded the sloped property; the top of it was adorned with an intricate leafy design. Over the years, she had read about houses like this one, but she had never visited such an unusual place with this much character. It was as if she had stepped out of Brooklyn and into another world.
From the corner of her eye, she noticed Mrs. Ryan standing in the garage doorway beside a row of hedges. Hayley waved and walked over, slowly pushing the heavy gated door aside.
As of 2022, some of Faulkner’s first stories entered the public domain. If you’re interested in his life and legacy, you can learn more at https://williamfaulknersociety.com/
Do you have a favorite Faulkner story or a most-loved author you admire? Let’s start a conversation in the comments below.
Hey there! Thanks for reading! If you enjoyed this blog post, please let me know by sending a like or comment below. I’d love to hear your thoughts! You can also subscribe to future blog posts at the top of the sidebar to your right or connect with me on Twitter: @jennwardwrites.
If you want to get your freelance writing business off the ground but aren’t sure where to start, you aren’t alone. Starting a business can be exciting and overwhelming at the same time. There’s a lot of flexibility that comes with working for yourself, but with that freedom comes many strange twists and turns. Like venturing into any unfamiliar area, it can be tricky. Where does someone begin? Well, the first thing is to have an idea of your goals and where you would like to end up. With that said, I suggest taking three essential steps to establish your freelance business.
Understanding how your business will operate is crucial to establishing a freelance business. Will you find someone to partner with? Will you work alone? Those seem like basic questions, but they are big decisions that will significantly impact your business’ labor, profits, and other aspects. Sara Horowitz, the author of The Freelancer’s Bible, urges readers to consider that the choices we make about business structure will affect record keeping, tax procedures, and personal liability, among other things…(262). Seeing which model also fits best with your vision (sole proprietor, partnership, or LLC) will help you figure out what makes the most sense in terms of time, finances, maintenance, and taxes. Whether you are just beginning to establish this business or reconsidering your current model, a business structure will not only influence everything you do in the first few months, but it will also have a significant long-term impact.
Some questions to consider:
Will you work alone?
Will you work with a partner?
Will you establish yourself as a sole proprietor or LLC (Limited Liability Company)?
What are the advantages and disadvantages of registering as an LLC?
What are the advantages and disadvantages of registering as a sole proprietor?
Writing a micro business plan is basically a small business plan. This will outline what your business will offer, how it will make you money, and who your customers will be. Sara Horowitz mentions determining the tactical things you’ll do in the first year or two (261). That means making sure to include a list of target clients, knowing how you will communicate with them, building a portfolio of work or writing samples, and the professional goals you hope to achieve. As you learn about the industry, other aspects of business can always be added later. But writing out a rough outline of what you will be doing in the first couple of years will be a solid place to start.
Some questions to consider:
Who will be my target audience or consumers?
How will I communicate with my consumers (email, phone, etc.)?
What will be my hours of operation?
How will I secure the funds to start this business?
How will I charge clients for my work? In other words, will you establish an hourly rate or request a specific amount for the entire project?
What will I include in my writing portfolio?
How will I market and brand myself?
What do I hope to achieve in the first three months of operating my business?
What do I hope to achieve within the first year of operating my business?
Supporting yourself financially is another crucial step toward starting a freelance business. If you are working full-time, perhaps your income from your day job will provide enough support to pursue your freelancing business before it takes off. I teach English and Drama classes, Monday through Friday. I am a public school teacher and do not earn a high salary. However, my teaching job has provided me with a steady income, which counts for a lot. For me, it made the most sense to continue teaching and let this be my primary source of income—supporting me personally and funding my freelance business. Having multiple income streams is an excellent approach if you can manage it. You will survive the dry spells when you have less freelance work or no work at all. Having multiple income streams means having security and something to fall back on.
Some questions to consider:
How will I support myself while building my business?
How much capital do I need?
How will I secure the funds?
Will I develop multiple income streams? If so, how?
Will I have enough money to advertise on social media and other platforms?
Where do I want to be financially five years from now?
I suggest diving deep into the big parts of your business, like money, structure, and a plan. The other smaller pieces can be figured out later on. What new business ventures will you embark on in 2023?
References
Horowitz, Sara. The Freelancer’s Bible: Everything You Need to Know to Have the Career of Your Dreams on Your Terms. Workman Publishing Co., 2012.
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As we approach Thanksgiving and the holidays, I wanted to write about a novel I read that focuses a lot on the intricacies of family relationships. When I pick up a new book and begin reading, a few things I look for are strong characters, a compelling setting, and poignant themes. Three years ago, I stumbled upon a beautifully-written book with all these qualities and more.
As a woman born and raised in Brooklyn, New York, I was immediately drawn to Naima Coster’s debut novel, Halsey Street. I had a feeling I would love her book, and I was right. Her contemporary fiction story introduces Penelope Grand, a young woman moving from Philadelphia back to her old neighborhood—Bed Stuy, Brooklyn. It’s an emotional journey with an ending I did not expect.
Coster’s protagonist, Penelope, is a talented, struggling artist looking for success and her place in the world. She finds herself working in a less desirable position as a substitute teacher to make ends meet. Like other aspects of her life, her temporary job is not what she envisioned for herself upon graduating college. Her relationships with both of her parents are strained, one living in Brooklyn, the other abroad. Perhaps it is the pain of her distanced relationship with her mother that I related to most.
Penelope returns to Brooklyn to help her ill father. Upon her arrival, the neighborhood of her youth is almost unrecognizable due to gentrification. The setting serves as a metaphor for the belonging the native residents once had and now long for. Penelope rents a room in the attic of the Harper’s brownstone, a few blocks from her father. When she first moved into their house, she walked down a long hallway of closed doors, further suggesting the plight of those underprivileged. Even the tiny room she occupies also hints at the marginalization experienced by the area’s long-time residents.
The Brooklyn setting is almost a character itself with its beautiful culture, way of life, and values so deeply ingrained in its residents. As the neighborhood changes, the setting becomes such a crucial part of her story that it could not have the same depth without it. Coster has the ability to connect with audiences who have felt the impact of gentrification in Brooklyn or other large cities across the United States.
Penelope’s entire life seems to float in this constant state of loneliness and limbo, perhaps making this story so nuanced and relatable. As I continued to read, I felt sad throughout a good portion of the novel, but I also felt a range of other emotions. Her struggle to succeed in a world of inequality is unmistakable. She isn’t perfect, and neither is the world she lives in, but she’s a strong woman who doesn’t give up, managing to care for herself and others around her with dignity and respect.
Through the telling of a family saga, Halsey Streetrevealsan important theme of forgiveness. The past and present moments of Penelope’s relationships with her parents are woven, revealing their complexity, and depth. The act of forgiveness might be one of the most challenging things for us to understand and embrace. To have it is truly a gift. Through her difficult journey, I saw a realistic and honest depiction of life, and the pain that comes with family conflict.
Another theme I found in Halsey Street is the human need to belong. You don’t have to be a Brooklyn-born resident to know what that feels like—it’s something that is part of all of us. Whether it is belonging to a small group of friends, a church, a team, or something bigger, the need to connect with others and feel important is a universal desire. For the native residents of Penelope’s neighborhood, gentrification not only took their homes and businesses but also their sense of pride and belonging. As a reader, I felt it too. Halsey Street sheds light on the importance of having people stay rooted in their communities and its bearing on Penelope, the people of Brooklyn, and her readers.
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When I first read Joyce Carol Oates’ short story “Pumpkin Head,” I was so frightened that I didn’t want to be in my apartment alone afterward. Her stories have scared me before, but this experience was quite unsettling. As with most horror stories, the shock wore off with time, yet her characters continued to haunt me long after meeting them on the page. Perhaps it was her female protagonist — Hadley — whom I identified with so much that I could not forget her vulnerability as a woman living alone. As I sit here in my candle-lit apartment listening to the roll of distant thunder, I remember Oates’ story a decade later as we approach Halloween — the season of pumpkins and stories that make our skin crawl.
Oates’ story opens with Hadley, a recently widowed woman who lives alone. She is startled in front of her house by “a tall male scarecrow figure with a misshapen Halloween pumpkin for a head.” Although the initial image of this man, Anton, is frightening, the story reveals much more. Hadley and Anton have many layers the reader can peel back as the tension mounts. The further I read, the more engrossed I became with both characters, each an outsider in their own way. Although Anton eventually becomes a threat to Hadley, this story is about how she deals with her new life alone and the ghost of grief.
The History of the Jack-O-Lantern
Looking at Oates’ character Anton and the image of the pumpkin head made me think of the jack-o-lantern and its origin. According to history.com, the face of the jack-o-lantern derives from an Irish myth about a man named “Stingy Jack.” As the legend is told, Jack played a trick on the devil by inviting him to have a drink, then turned him into a coin to avoid paying. Aptly nicknamed “stingy,” Jack decided to keep the coin beside a silver cross so the devil couldn’t return. Later, he tricked the devil again into climbing up a tree and held him captive by carving the sign of the cross. His behavior upset the devil and God; therefore, he was never welcomed into heaven or hell. As a result, he roamed the earth with only a turnip to light his path. People began placing jack-o-lanterns in front of their homes to keep Stingy Jack and other evil spirits away.
There are some striking similarities between the Irish myth and the role reversal in Oates’ story that develops. In “Pumpkin Head,” Anton gives a jack-o-lantern to Hadley, later joining her for a drink. Like the devil, Hadley is deceived and finds herself in a situation that is not only hard to walk away from but quite dangerous. It is, of course, ironic that — a jack-o-lantern — believed to ward off evil is given to her by someone who represents it himself. In the midst of all of this, I also thought of Hadley as a native-born resident. As an American woman, her character may hold some power and advantages in society that Anton, a European immigrant, desires. Looking back at the origins of the jack-o-lantern story, Jack seemed to be seeking some power which can be seen in Anton’s behavior too.
“Pumpkin Head” appeared in The New Yorker in 2009 and is also included in Oates’ book Sourland. If you’ve read her stories, you know they are quite dark and often violent. Take a look at “Where Are You Going? Where Have You Been?” and you might see some similarities here — one being a female protagonist isolated and victimized in her own home. They are two very different stories but do share some likenesses. Nevertheless, we read her work in anticipation that something very unpleasant and twisted will happen. This story delivers, and although it did leave me feeling quite uneasy, I would read it again. I have heard people say they didn’t like this story, particularly for its violence and the message they thought it communicated. It depends on how you read it, I suppose. But any piece of literature that elicits that much emotion — whether good or bad — is a powerful story.
In her story, Oates communicates universal themes of loss, death, and vulnerability, which may be more frightening than some of the images we associate with Halloween. Hadley could be any woman struggling to accept the death of her husband and the strange, new life she has found herself in. Oates’ story is incredibly haunting, weaving traditions of folklore and terror with an ending that cannot be forgotten.
Hey there! Thanks for reading! The original article was publish in Vocal Media. If you enjoyed this blog post, please let me know by sending a like or comment. You can also subscribe to read future blog posts here on the upper right side of this page. Connect with me on Twitter: @jennwardwrites. I’d love to hear your thoughts!
Writing has always been part of my life in one way or another. As a child, my journey began with writing short stories and poems about family summer vacations. As a teenager, I kept a journal for many years, writing about crushes and teenage drama. Today, I’m grateful that I can say it is a daily part of my life. As most people would expect, I write a lot as an English Teacher and an MFA student. But I also spend substantial time working on my creative writing. Whether our passion is technical writing, copywriting, creative writing, or something else, as writers, we never stop improving our craft or looking for work.
Over the years, I have found this small stack of books to be incredibly useful in the pursuit of writing. I hope you find them helpful too.
When I finished college, I was still looking for ways to improve my writing. During an afternoon of Google searching, I came across Zinsser’s book. I immediately ordered a copy and read it on my subway commute to and from work in Midtown. In those days, I had at least two hours of reading, Monday through Friday, which I often took advantage of.
Although this book was first published in 1976, it is up-to-date, addressing changes in the writing world making it relevant today. If you want to learn more about writing nonfiction, Zinsser—a lifelong journalist—offers some very sound advice in a tone that I found to be warm and friendly. I learned a lot from him about words, usage, style, and different types of nonfiction writing. William Zinsser passed away in 2015, a few years after I read his book. He remains immortal through his words, leaving behind a strong legacy in the writing world.
His classic guide is timeless and something we can all learn from.
In 2020, a fellow MFA student in a fiction writing course suggested picking up a copy of Writer’s Market. I’m happy I took his advice. This big book of nearly 1,000 pages is a reliable source for anything and everything a writer will need. It even includes advice on how to format a query letter and a chapter explaining how much to charge as a freelance writer. The pay rate chart continues for several pages breaking jobs down by the hour, project, and industry. This valuable source contains information about where to submit your work and how. Other editions focus on fiction and literary agents for those more interested in creative writing.
This trusted guide has been around for over a century—you can’t beat that.
Joyce Carol Oats, or as I call her, JCO, has been one of my favorite authors for decades. Her frequently anthologized short story, “Where Are you Going? Where Have You Been?” has left such an impression on me that I still think about it twenty years later. I’ve read several of her books and have found myself in awe of her writing and imagination. By the way, if you haven’t read her novel Zombie, you need to. I won’t say anything else. The less you know starting that book, the better.
Naturally, when I came across her book, The Faith of a Writer, I had to read it. Who wouldn’t want a glimpse into the private writing life of their favorite author? In a collection of essays, she elegantly writes about what makes a story striking and where she finds inspiration. Perhaps I am biased as a super fan, but I think everything she writes is brilliant.
Looking further into my shelved writing books, I found another excellent source written by various experts in the field. This book offers some interesting prompts, such as one based on the Rorschach Test. There are several steps involved, but the overall goal here is to generate a list of images associated with an inkblot created by you. The writing assignment is to draft a flash fiction story using those images and words. Sounds challenging, right? It is, but it’s also fun.
What I like about this book is that it offers an example of a flash fiction story, an essay by the author, and a writing exercise for you to practice. If flash fiction isn’t your thing, Rose Metal Press has also published books on prose poetry and flash nonfiction.
I initially read The Freelancer’s Bible for a required business class I took while working on my master’s degree. Yet, since then, I have used this as a road map to building a new career which is growing into a small side business. This book often reads like a friend offering professional, no-nonsense advice. Who wouldn’t want that? Even if you aren’t new to the freelancing world, this book is filled with beneficial suggestions for continuing to grow your business, such as figuring out taxes, insurance, and all the other intricacies of self-employment. If you are interested in working as a freelance writer, I highly suggest picking up a copy of this informative guide.
Thanks for reading! If you enjoyed this blog post, please let me know by sending a like or comment below. I’d love to hear your thoughts.
